Tsong kha pa

From Buddha-Nature


ཙོང་ཁ་པ་
Tsongkhapa(1357 - 1419) 
Damngak Rinpoché DzöBuddhist Digital Resource CenterHimalayan Art Resources

Tsongkhapa Lobzang Drakpa was one of the most influential Tibetan Buddhist scholars of the last millennium. Born in Amdo, he travelled to U-Tsang in his youth, never to return to his homeland. In U-Tsang he studied with numerous teachers of all traditions and engaged in many retreats resulting in his development of a fresh interpretation of Nāgārjuna's Madhyamaka view and a reinvigoration of the monastic Vinaya. Widely regarded as an emanation of Mañjuśrī, Tsongkhapa composed eighteen volumes of works of which the majority dealt with tantric subjects. He was the founder of Ganden Monastery, which became the central monastery of the Geluk tradition that was founded on his teachings and writings.

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Library Items

Book
A Lamp to Illuminate the Five Stages
Tsongkhapa’s A Lamp to Illuminate the Five Stages (1419) is a comprehensive presentation of the highest yoga class of Buddhist tantra, especially the key practices—the so-called five stages (pancakrama)—of the advanced phase of Guhyasamāja tantra. Beginning with a thorough examination of the Indian sources, Tsongkhapa draws particularly from the writings of Nāgārjuna, Aryadeva, Candrakīrti, and Nāropā to develop a definitive understanding of the Vajrayana completion stage. Whereas in the generation stage, meditators visualize the Buddha in the form of the deity residing in a mandala palace, in the completion stage discussed in the present volume, meditators transcend ordinary consciousness and actualize the state of a buddha themselves. Among other things, Tsongkhapa’s work covers the subtle human physiology of channels and winds along with the process of dying, the bardo, and rebirth. This definitive statement on Guhyasamāja tantra profoundly affected the course of Buddhist practice in Tibet. (Source: Wisdom Experience)
Kilty, Gavin, trans. A Lamp to Illuminate the Five Stages: Teachings on Guhyasamāja Tantra. By Tsongkhapa (tsong kha pa). Edited by Thupten Jinpa. Library of Tibetan Classics 15. Boston: Wisdom Publications, 2013.
Book
Mind Seeing Mind
Roger Jackson's Mind Seeing Mind is the first attempt to provide both a scholarly study of the history, texts, and doctrines of Geluk mahāmudrā and translations of some of its seminal texts. It begins with a survey of the Indian sources of the teaching and goes on the discuss the place of mahāmudrā in non-Geluk Tibetan Buddhist schools, especially the Kagyü. The book then turns to a detailed survey of the history and major textual sources of Geluk mahāmudrā, from Tsongkhapa, through the First Panchen, down to the present. The final section of the study addresses critical questions, including the relation between Geluk and Kagyü mahāmudrā, the ways Gelukpa authors have interpreted the mahāsiddha Saraha, and the broader religious-studies implications raised by Tibetan debates about mahāmudrā. The translation portion of Mind Seeing Mind includes eleven texts on mahāmudrā history, ritual, and practice. Foremost among these is the First Panchen Lama's autocommentary on his root verses of Geluk Mahāmudrā, the foundation of the tradition. Also included is his ritual masterpiece Offering to the Guru, which is a staple of Geluk practice, and a selection of his songs of spiritual experience. Mind Seeing Mind adds considerably to our understanding of Geluk spirituality and shows how mahāmudrā came to be woven throughout the fabric of the tradition. (Source: Wisdom Publications)
Jackson, Roger R. Mind Seeing Mind: Mahāmudrā and the Geluk Tradition of Tibetan Buddhism. Studies in Indian and Tibetan Buddhism. Somerville, MA: Wisdom Publications, 2019.
Book
Steps on the Path to Enlightenment, Vol. 4
Geshe Sopa continues his elucidation of Lama Tsongkhapa’s masterwork on the Buddhist path with an explanation of the core meditative practice of śamatha, or calm abiding.
      Showing how it is absolutely essential for—and goes hand in hand with—the achievement of insight into reality, he gives practical tips for countering sleepiness, agitation, and their more subtle counterparts. Leading us step by step toward deeper levels of concentration, volume 4 of the Steps on the Path to Enlightenment series brings readers closer to the ultimate goal of śamatha: unlimited and effortless focus. (Source: Wisdom Publications)
Sopa, Geshe Lhundub. Steps on the Path to Enlightenment: A Commentary on Tsongkhapa's Lamrim Chenmo. Vol. 4, Śamatha. With James Blumenthal. Somerville, MA: Wisdom Publications, 2016.
Book
The Great Exposition of Secret Mantra Vol. 1
Tantra in Tibet is the first volume in The Great Exposition of Secret Mantra series in which the Dalai Lama offers illuminating commentary on Tsongkhapa’s seminal text on Buddhist tantra. It is followed by Volume II: Deity Yoga and Volume III: Yoga Tantra. This revised work describes the differences between the Great Vehicle and Lesser Vehicle streams in the sutra tradition, and between the sutra tradition and that of tantra generally. It includes highly practical and compassionate explanations from H.H. the Dalai Lama on tantra for spiritual development; the first part of the classic Great Exposition of Secret Mantra text; and a supplement by Jeffrey Hopkins on the difference between the Vehicles, emptiness, psychological transformation, and the purpose of the four tantras. (Source: Shambhala Publications)
Hopkins, Jeffrey, trans. and ed. The Great Exposition of Secret Mantra. Vol. 1, Tantra in Tibet. By Tsongkhapa (tsong kha pa). With a commentary by the Dalai Lama. 1st revised edition. Boulder, CO: Snow Lion Publications, 2016.
Text
Tsongkhapa: The Great Treatise on the Stages of the Path to Enlightenment
Lam rim chen mo. In Tibetan, "Great Treatise on the Stages of the Path"; the abbreviated title for one of the best-known works on Buddhist thought and practice in Tibet, composed by the Tibetan luminary Tsong khapa Blo bzang Grags pa in 1402 at the central Tibetan monastery of Rwa sgreng. A lengthy treatise belonging to the lam rim, or stages of the path, genre of Tibetan Buddhist literature, the Lam rim chen mo takes its inspiration from numerous earlier writings, most notably the Bodhipathapradīpa ("Lamp for the Path to Enlightenment") by the eleventh-century Bengali master Atiśa Dīpaṃkaraśrījñāna. It is the most extensive treatment of three

principal stages that Tsong kha pa composed. The others include (1) the Lam rim chung ba ("Short Treatise on the Stages of the Path"), also called the Lam rim 'bring ba ('"Intermediate Treatise on the States of the Path") and (2) the Lam rim bsdus don ("Concise Meaning of the Stages of the Path"), occasionally also referred to as the Lam rim chung ngu ("Brief Stages of the Path"). The latter text, which records Tsong kha pa's own realization of the path in verse form, is also referred to as the Lam rim nyams mgur ma ("Song of Experience of the Stages of the Path"). The Lam rim chen mo is a highly detailed and often technical treatise presenting a comprehensive and synthetic overview of the path to buddhahood. It draws, often at length, upon a wide range of scriptural sources including the Sūtra and śāstra literature of both the hīnayāna and Mahāyāna; Tsong kha pa treats tantric practice in a separate work. The text is organized under the rubric of the three levels of spiritual predilection, personified as "the three individuals" (skyes bu gsum): the beings of small capacity, who engage in religious practice in order to gain a favorable rebirth in their next lifetime; the beings of intermediate capacity, who seek liberation from rebirth for themselves as an arhat; and the beings of great capacity, who seek to liberate all beings in the universe from suffering and thus follow the bodhisattva path to buddhahood. Tsong kha pa's text does not lay out all the practices of these three types of persons but rather those practices essential to the bodhisattva path that are held in common by persons of small and intermediate capacity, such as the practice of refuge (śaraṇa) and contemplation of the uncertainty of the time of death. The text includes extended discussions of topics such as relying on a spiritual master, the development of bodhicitta, and the six perfections (pāramitā). The last section of

the text, sometimes regarded as a separate work, deals at length with the nature of serenity (śamatha) and insight (vipaśyanā); Tsong kha pa's discussion of insight here represents one of his most important expositions of emptiness (śūnyatā). Primarily devoted to exoteric Mahāyāna doctrine, the text concludes with a brief reference to Vajrayāna and the practice of tantra, a subject discussed at length by Tsong kha pa in a separate work, the Sngags rim chen mo ("Stages of the Path of Mantra"). The Lam rim chen mo's full title is Skyes bu gsum gyi rnyams su blang ba'i rim pa thams cad tshang bar ston pa'i byang chub lam gyi rim pa. (Source: "Lam rim chen mo." In The Princeton Dictionary of Buddhism, 465-66. Princeton University Press, 2014. http://www.jstor.org/stable/j.ctt46n41q.27.)
Text
Tsongkhapa: The Thoroughly Clear Intention: A Detailed Explanation of the Madhyamakāvatāra
This work is perhaps the most influential explanation of Candrakīrti's seventh-century classic Entering the Middle Way (Madhyamakāvatāra).

Written as a supplement to Nagarjuna’s Fundamental Verses on the Middle Way, Candrakīrti’s text integrates the central insight of Nagarjuna’s thought—the rejection of any metaphysical notion of intrinsic existence—with the well-known Mahayana framework of the ten levels of the bodhisattva, and it became the most studied presentation of Madhyamaka thought in Tibet.

Completed the year before the author’s death, Tsongkhapa’s exposition of Candrakīrti's text is recognized by the Tibetan tradition as the final standpoint of Tsongkhapa on many philosophical questions, particularly the clear distinctions it draws between the standpoints of the Madhyamaka and Cittamatra schools.

Written in exemplary Tibetan, Tsongkhapa’s work presents a wonderful marriage of rigorous Madhyamaka philosophical analysis with a detailed and subtle account of the progressively advancing mental states and spiritual maturity realized by sincere Madhyamaka practitioners. (Source: Thupten Jinpa, Illuminating the Intent, 2021.)
Text
Tsongkhapa: Golden Garland of Excellent Explanation: A Commentary on the Abhisamayālaṃkāra
Tsongkhapa's comprehensive treatise on both Maitreya's Abhisamayālaṃkāra and the commentary on this work by Haribhadra, the Abhisamayālaṃkāravrtti.
Text
Tsongkhapa: The Essence of the Explanation of the Provisional and True Meanings
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On the topic of this person

Book
A Lamp to Illuminate the Five Stages
Tsongkhapa’s A Lamp to Illuminate the Five Stages (1419) is a comprehensive presentation of the highest yoga class of Buddhist tantra, especially the key practices—the so-called five stages (pancakrama)—of the advanced phase of Guhyasamāja tantra. Beginning with a thorough examination of the Indian sources, Tsongkhapa draws particularly from the writings of Nāgārjuna, Aryadeva, Candrakīrti, and Nāropā to develop a definitive understanding of the Vajrayana completion stage. Whereas in the generation stage, meditators visualize the Buddha in the form of the deity residing in a mandala palace, in the completion stage discussed in the present volume, meditators transcend ordinary consciousness and actualize the state of a buddha themselves. Among other things, Tsongkhapa’s work covers the subtle human physiology of channels and winds along with the process of dying, the bardo, and rebirth. This definitive statement on Guhyasamāja tantra profoundly affected the course of Buddhist practice in Tibet. (Source: Wisdom Experience)
Kilty, Gavin, trans. A Lamp to Illuminate the Five Stages: Teachings on Guhyasamāja Tantra. By Tsongkhapa (tsong kha pa). Edited by Thupten Jinpa. Library of Tibetan Classics 15. Boston: Wisdom Publications, 2013.
Article
A Tree In The West: Competing Tathāgatagarbha Theories in Tibet
In this paper, historical materials are employed to point the reader toward scriptural sources for the tathāgatagarbha traditions of India and Tibet, including their relationship with theories of the mind-basis-of-all (kun gzhi rnam shes, ālayavijñāna). In addition, three primary tathāgatagarbha traditions in Tibet are described and compared: those of the Jo-nang-bas following Döl-bo-ba Shay-rap-gyel-tsen (dol bo pa shes rab rgyal mtshan, 1292–1361), the Sa-ḡyas following Bu-don (bu ston, 1290–1364), and the Ge-luk-don following Dzong-ka-ba (tsong kha pa, 1357–1419). Doctrines concerning the basic constituent (khams, dhātu) and three buddha bodies are examined insofar as these doctrines shed light on theories of tathāgatagarbha. Since Dzong-ka-ba extensively refuted the Jo-nang position─often called Other Emptiness (gzhan stong)─in his Treatise Differentiating Interpretable and Definitive Meanings: The Essence of Eloquence (drang ba dang nges pa'i don rnam par phye ba'i bstan bcos legs bshad snying po) and other works on the philosophical view of emptiness, this paper examines Dzong-ka-ba's discussion and critique of the Jo-nang Other Emptiness. Ten specific criticisms of Other Emptiness made by Dzong-ka-ba and his followers are compared with presentations of Other Emptiness by Jo-nang authors. Two Jo-nang texts recently translated by Professor Jeffrey Hopkins are employed in this comparison: Döl-bo-ba Śhay-rap-gyel-tsen’s Mountain Doctrine, Ocean of Definitive Meanings (ri chos nges don rgya mtsho) and Tāranātha’s Essence of Other Emptiness (gzhan stong snying po). These comparisons show that Dzong-ka-ba's critique does not always accurately reflect the Jo-nang philosophical view.
Magee, William. "A Tree in the West: Competing Tathāgatagarbha Theories in Tibet." Chung-Hwa Buddhist Journal 19 (2006): 445–511.
Article
Death, Sleep, and Orgasm: Gateways to the Mind of Clear Light
Buddhism began gradually to be introduced to Tibet in the seventh century C. E., more than a thousand years after Shākyamuni Buddha's passing away (circa 483 B. C.).'"`UNIQ--ref-0000633F-QINU`"' The form Buddhism took in Tibet was greatly influenced by the highly developed systemization of the religion that was present in India through the twelfth century (and even later). The geographic proximity and relatively undeveloped culture of Tibet provided conditions for extensive transfer of scholastic commentaries and systems of practice, which came to have great influence throughout a vast region stretching from Kalmuck Mongolian areas in Europe where the Volga River empties into the Caspian Sea, Outer and Inner Mongolia, and the Buriat Republic of Siberia as well as Bhutan, Sikkim, Nepal, and Ladakh. The sources for my discussion are drawn primarily from two of the four major orders of Tibetan Buddhism:
  • the old order called Nying-ma-ba,'"`UNIQ--ref-00006340-QINU`"' which reached its full development in the fourteenth century with the scholar-yogi Long-chen-rap-jam'"`UNIQ--ref-00006341-QINU`"'
  • a highly scholastic order called Ge-luk-ba,'"`UNIQ--ref-00006342-QINU`"' founded by the fourteenth century scholar-yogi Dzongka-ba.'"`UNIQ--ref-00006343-QINU`"'
Long-chen-rap-jam was born in 1308 Do-drong'"`UNIQ--ref-00006344-QINU`"' in south central Tibet, received ordination at Samyay'"`UNIQ--ref-00006345-QINU`"' Monastery, and studied the doctrines of both the old and new schools. A great scholar, he became abbot of Sam-yay Monastery early in his life but retired from that position to live in the mountains. Receiving the full corpus of the teachings of the Old Translation School of Nying-ma, he wrote prolifically, and even when he was exiled for a decade to Bhutan for his closeness with the opponents of the ruling power, he established and restored monasteries.'"`UNIQ--ref-00006346-QINU`"'
      Dzong-ka-ba was born in 1357 in the northeastern province of Tibet called Am-do,'"`UNIQ--ref-00006347-QINU`"' now included by the occupying Chinese Communists not in the Tibetan Autonomous Region but in Ch'ing-hai Province. He studied the new and old schools extensively, and developed his own tradition called Ge-luk-ba. Dzongka- ba and his followers established a system of education centered especially in large universities, eventually in three areas of Tibet but primarily in Hla-sa, the capital, which in some ways was for the Tibet cultural region what Rome is for the Catholic Church. For five centuries, young men came from all over the Tibetan cultural region to these large Tibetan universities to study (I say "men" because women were, for the most part, excluded from the scholastic culture). Until the Communist takeovers, these students usually returned to their own countries after completing their degrees.
      My presentation on the mind of clear light is largely from standard Nying-ma-ba and Ge-luk-ba perspectives on the two basic forms of what Tibetan tradition accepts as Shākyamuni Buddha's teaching—the Sūtra Vehicle and the Tantra Vehicle, also called the Vajra Vehicle.'"`UNIQ--ref-00006348-QINU`"' (Hopkins, background, 245–46)
Hopkins, Jeffrey. "Death, Sleep, and Orgasm: Gateways to the Mind of Clear Light." Journal of Chinese Philosophy 25, no. 2 (1998): 245–60.
Video
Donald S. Lopez, Jr. - Keynote of the 2019 Tathāgatagarbha Symposium
In his keynote lecture to the Vienna Tathāgatagarbha Symposium, Donald Lopez provides an overview of the history and influence of tathāgatagarbha doctrine as well as its various interpretations across the Mahāyāna world.
Lopez, Donald S., Jr. “Tathāgatagarbha: A Brief History.” Keynote lecture at the University of Vienna Symposium, Tathāgatagarbha Across Asia, Vienna, Austria, July 2019. Video, 40:17. https://youtu.be/0SSSdNNbeu8.
Interview
Emptiness and Buddha-Nature by Thupten Jinpa: Conversations on Buddha-Nature
Jinpa, Thupten. "Emptiness and Buddha-Nature: A Creative Tension between Two Fundamental Concepts of Mahayana Thought." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, January 29, 2022. Video, 1:21:49. https://www.youtube.com/watch?v=thvDcHQyazg.
Jinpa, Thupten. "Emptiness and Buddha-Nature: A Creative Tension between Two Fundamental Concepts of Mahayana Thought." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, January 29, 2022. Video, 1:21:49. https://www.youtube.com/watch?v=thvDcHQyazg.
Book
Freedom From Extremes
What is emptiness? This question at the heart of Buddhist philosophy has preoccupied the greatest minds of India and Tibet for two millennia, producing hundreds of volumes. Distinguishing the Views, by the fifteenth-century Sakya scholar Gorampa Sonam Senge, is one of the most important of those works, esteemed for its conciseness, lucidity, and profundity. Freedom from Extremes presents Gorampa's elegant philosophical case on the matter of emptiness here in a masterful translation by Geshe Lobsang Dargyay.

Gorampa's text is polemical, and his targets are two of Tibet's greatest thinkers: Tsongkhapa, founder of the Gelug school, and Dolpopa, a founding figure of the Jonang school. Distinguishing the Views argues that Dolpopa has fallen into an eternalistic extreme, whereas Tsongkhapa has fallen into nihilism, and that only the mainstream Sakya view—what Gorampa calls "freedom from extremes"—represents the true middle way, the correct view of emptiness. Suppressed for years in Tibet, this seminal work today is widely regarded and is studied in some of Tibet's greatest academic institutions.

Gorampa's treatise has been translated and annotated here by two leading scholars of Tibetan Buddhist philosophy, and a critical edition of the Tibetan text on facing pages gives students and scholars direct access to Gorampa's own words. José Cabezón's extended introduction provides a thorough overview of Tibetan polemical literature and contextualizes the life and work of Gorampa both historically and intellectually. Freedom from Extremes will be indispensable for serious students of Madhyamaka thought. (Source: Wisdom Publications)
Cabezón, José Ignacio, and Geshe Lobsang Dargyay, trans. Freedom From Extremes: Gorampa's "Distinguishing the Views" and the Polemics of Emptiness. Studies in Indian and Tibetan Buddhism. Boston: Wisdom Publications, 2007.
Video
Maitreya's Sublime Continuum on Buddha Nature by Don Handrick
"Maitreya's Sublime Continuum on Buddha Nature" by Don Handrick


A part of "The Life and Legacy of Lama Tsongkhapa" presented by Tse Chen Ling

This event was held at Tse Chen Ling in San Francisco on September 20 and 21, 2019. Over the course of two days (three sessions), Don Handrick examined Tsongkhapa's exposition of enlightenment based on Maitreya's text "Sublime Continuum."

Maitreya's "Sublime Continuum" on Buddha Nature

What is enlightenment? How is it possible? Who can achieve it? One of Mahayana Buddhism’s most important teachings is the doctrine of tathagatagarbha, or buddha nature, the innate pure and changeless essence of the mind which gives rise to the fundamental potential for each being to attain full enlightenment or buddhahood. In this course we will examine selected verses from the first chapter of Maitreya’s Sublime Continuum of the Mahayana (Mahayana-uttaratantra Shastra), a text replete with rich poetic imagery and metaphor, to explore this profound and inspiring topic. . . .

"The Life and Legacy of Lama Tsongkhapa"

Je Tsongkhapa Lobsang Drakpa (1357- 1419) was one of the greatest figures in the history of Tibetan Buddhism and the founder of the Gelug tradition. The year 2019 marked the 600th anniversary of Lama Tsongkhapa's parinirvana. To celebrate this, Tse Chen Ling offered a 14-month long series of programs that celebrated the life and lineage of Lama Tsongkhapa. These programs reflected the core teachings and unique features of the Gelug tradition. (Source Accessed Nov 12, 2020)
Handrick, Don. "Maitreya's Sublime Continuum on Buddha Nature." Pt. 1 of 3. Produced by Tse Chen Ling Center, San Francisco, September 20–21, 2019. Video, 2:01:28. https://www.youtube.com/watch?v=Myqf_aYQf6I.
Video
Michael Sheehy at the 2019 Tathāgatagarbha Symposium
Michael Sheehy explores the “images of emptiness” or expressions of emptiness in the Kālacakra Tantra. He discusses how these were interpreted by Dolpopa Sherab Gyaltsen (1292-1361) and his immediate disciples to be direct expressions of tathāgatagarbha.
Sheehy, Michael. "Tantric Zhentong Visions of Tathāgatagarbha in Tibetan Kālacakra Yoga Manuals." Paper presented at the University of Vienna Symposium, Tathāgatagarbha Across Asia, Vienna, Austria, July 2019. Video, 46:01. https://www.youtube.com/watch?v=Fm7z5pR1EGA.
Book
Mind Seeing Mind
Roger Jackson's Mind Seeing Mind is the first attempt to provide both a scholarly study of the history, texts, and doctrines of Geluk mahāmudrā and translations of some of its seminal texts. It begins with a survey of the Indian sources of the teaching and goes on the discuss the place of mahāmudrā in non-Geluk Tibetan Buddhist schools, especially the Kagyü. The book then turns to a detailed survey of the history and major textual sources of Geluk mahāmudrā, from Tsongkhapa, through the First Panchen, down to the present. The final section of the study addresses critical questions, including the relation between Geluk and Kagyü mahāmudrā, the ways Gelukpa authors have interpreted the mahāsiddha Saraha, and the broader religious-studies implications raised by Tibetan debates about mahāmudrā. The translation portion of Mind Seeing Mind includes eleven texts on mahāmudrā history, ritual, and practice. Foremost among these is the First Panchen Lama's autocommentary on his root verses of Geluk Mahāmudrā, the foundation of the tradition. Also included is his ritual masterpiece Offering to the Guru, which is a staple of Geluk practice, and a selection of his songs of spiritual experience. Mind Seeing Mind adds considerably to our understanding of Geluk spirituality and shows how mahāmudrā came to be woven throughout the fabric of the tradition. (Source: Wisdom Publications)
Jackson, Roger R. Mind Seeing Mind: Mahāmudrā and the Geluk Tradition of Tibetan Buddhism. Studies in Indian and Tibetan Buddhism. Somerville, MA: Wisdom Publications, 2019.
Article
Paramārtha's Doctrine of a Ninth Consciousness, as Transmitted in Tibetan Texts: Tsong kha pa's Kun gzhi dka' gter and Its Context
This study aims to elucidate a portion of the reception and evaluation of Paramārtha's doctrines in Tibet, taking as its entry point controversy about Paramārtha's theory of a ninth consciousness as seen in Tsong kha pa's (Tsong kha pa Blo bzang grags pa, 1357-1419) Kun gzhi dka' gter, while simultaneously investigating the background to that text. The development of our argument will incorporate new insights gained through investigation of the texts upon which Tsong kha pa based himself: Wǒnch'ŭk's commentary on the Saṃdhinirmocana-sūtra, and commentaries on the Abhidharmasamuccaya by gZad ring (gZad ring Dar ma tshul khrims, latter half of the 12th century), bCom ldan rig ral (1227-1305), Bu ston (Bu ston Rin chen grub, 1290-1364) and Blo gros brtan pa (dPang Blo gros brtan pa, 1276-1342).
      Wǒnch'ŭk, bCom ldan rig ral and Bu ston understood that ninth consciousness is ultimately the seeds of the eighth consciousness, or else the pure part thereof. In terms of the content of the controversy, gZad ring, bCom ldan rig ral and Bu ston largely follow a common archetype. They introduce the ninth consciousness without mentioning Paramārtha; they refer to tathāgatagarbha doctrine, relying upon a passage from the Samādhirāja-sūtra as their proof-text; and in rejecting the doctrine of ninth consciousness, they propose that ninth consciousness must exist either actually or potentially, and then reject both alternatives. Since these two points cannot be identified in Wǒnch'ŭk's commentary, we can postulate that the controversy between these scholars was an innovative creation and development from within Tibetan Buddhism. Furthermore, it also seems that in the transmission of ninth consciousness doctrine in Tibet, there arose certain distortions (or deviations from Wǒnch'ŭk's theories), such as when gZad ring ascribes the doctrine of ninth consciousness not to Paramārtha, but to Bhavya.
      We also must not neglect the fact that the doctrine of ninth consciousness affirmed in these commentaries to the Abhidharmasamuccaya is not completely identical to that described by Tsong kha pa. Comparison with these texts, which constitute the immediate context for his discussion, highlights the fact that in discussing Paramārtha's doctrine of ninth consciousness as it appears in Wonchuk, Tsong kha pa cites Wonchuk's work directly, rather than second-hand (i.e. rather than relying upon predecessors who utilize Wonchuk's exposition); and in refuting the doctrine of ninth consciousness, he attempts to construct proofs on the basis of his own original viewpoint, rather than recycling the arguments of his predecessors. We are surely justified in judging that it was Tsong kha pa's achievement to absorb Wonchuk's commentary for himself, and to attempt to correct the distortions incidental to the transmission of ninth consciousness doctrine in Tibet. (Source Accessed June 16, 2020)
Kano, Kazuo. "Paramārtha's Doctrine of a Ninth Consciousness, as Transmitted in Tibetan Texts: Tsong kha pa's Kun gzhi dka' gter and Its Context." In Studies of the Works and Influence of Paramārtha, edited by Funayama Tōru, 345–99. (In Japanese.) Kyoto: Institute for Research in Humanities, Kyoto University, 2012.
Book
Studies in Indian and Tibetan Madhyamaka Thought Part 1
Part I of these Studies in Indian and Tibetan Madhyamaka philosophy consists of three sections. The first outlines the history of the Madhyamaka school in Tibet from its origins toward the end of the eighth century until the time it fully assumed its classical form in the early fifteenth century owing to the efforts of Tson kha pa and other eminent masters of approximately that time. An earlier publication, The literature of the Madhyamaka school of philosophy in India (Wiesbaden, 1981), has traced the history of the Madhyamaka school in India beginning with its source, Nāgārjuna, and extending to the early part of the second millennium of the common era when it was establishing itself firmly in Tibet.



Section II investigates the complex, and controversial, problem of whether a (Prāsaṅgika) Mādhyamika may, within the frame of his school's philosophy, assert a thesis (pratijñā) and maintain a philosophical position (pakṣa, mata). It is a reworked and expanded version of an earlier study: 'On the thesis and assertion in the Madhyamaka/dBu ma' in E. Steinkellner and H. Tauscher (ed.), Contributions on Tibetan and Buddhist religion and philosophy (Proceedings of the Csoma de Korös Symposium held at Velm-Vienna, 13-19 September 1981 (Vienna, 1983), pp. 205-241).

Section III concerns the very significant place occupied in Tsoṅ kha pa's Madhyamaka philosophy by the ideas and methods of epistemological and logical system (pramāṇavidyā) of Dharmakīrti. It is an expanded version of a study first published in 1991: 'On pramāṇa theory in Tsoṅ khap pa's Madhyamaka philosophy' in E. Steinkellner (ed.), Studies in the Buddhist epistemological tradition (Proceedings of the Second International Dharmakīrti Conference, Vienna, 11-16 June, 1989, Österreichische Akademie der Wissenschaften, Philosophische-Historische Klasse, Denkschriften, 222. Band (Vienna, 1991), pp. 281-310).

Part II of these Studies will contain annotated translations of Candrakīrti's Sanskrit commentary on Madhyamakakārikā i.1 taken from his renowned Prasannapadā madhyamakavṛttiḥ and of rGyal tshab Dar ma rin chen's Tibetan Summary-Memorandum on the Eight Crucial Points in Madhyamaka philosophy (dKya' gnad/gnas brgyad kyi zin bris). (Source: foreword in Part I)

(Source: foreword in Part I)
Ruegg, David Seyfort. Three Studies in the History of Indian and Tibetan Madhyamaka Philosophy: Studies in Indian and Tibetan Madhyamaka Thought. Pt. 1. Wiener Studien zur Tibetologie und Buddhismuskunde 50. Vienna: Arbeitskreis für Tibetische und Buddhistische Studien Universität Wien, 2000. https://archive.org/details/madhyamikathreestudiesinhistoryofindiantibetanmadhyamakaphilosophydavidseyfortruegg_803_q/mode/2up.
Book
The Buddhist Philosophy of the Middle
Madhyamaka, the "philosophy of the middle," systematized the Buddha's fundamental teaching on no-self with its profound non-essentialist reading of reality. Founded in India by Nāgārjuna in about the second century C.E., Madhyamaka philosophy went on to become the dominant strain of Buddhist thought in Tibet and exerted a profound influence on all the cultures of East Asia. Within the extensive Western scholarship inspired by this school of thought, David Seyfort Ruegg's work is unparalleled in its incisiveness, diligence, and scope. The Buddhist Philosophy of the Middle brings together Ruegg’s greatest essays on Madhyamaka, expert writings which have and will continue to contribute to our progressing understanding of this rich tradition. (Source: Wisdom Publications)
Ruegg, David Seyfort. The Buddhist Philosophy of the Middle: Essays on Indian and Tibetan Madhyamaka. Studies in Indian and Tibetan Buddhism. Boston: Wisdom Publications, 2010.
Video
The Furthest Everlasting Continuum and Three Principal Aspects of the Path
His Holiness the Dalai Lama's three-day teaching on The Furthest Everlasting Continuum (Sanskrit - Uttaratantra; Tibetan - Gyü Lama) and Tsongkhapa's Three Principal Aspects of the Path at the request of Russian Buddhists at the Main Tibetan Temple in Dharamsala, HP, India on May 10–12, 2019. On the third day His Holiness conducts the ceremony for generating the awakening mind (bodhichitta). His Holiness speaks in Tibetan followed by an English translation. Note: In the first 27 minutes of part 1, there are technical difficulties with the English translation.
Dalai Lama, 14th. "The Furthest Everlasting Continuum and Three Principal Aspects of the Path." Pt. 1 of 3. Produced by the Office of His Holiness the Dalai Lama. Recorded at the Main Tibetan Temple, Dharamsala, H.P., India, May 10, 2019. Video, 55:33. https://www.youtube.com/watch?v=faL13tq0M1s.
Book
The Great Exposition of Secret Mantra Vol. 1
Tantra in Tibet is the first volume in The Great Exposition of Secret Mantra series in which the Dalai Lama offers illuminating commentary on Tsongkhapa’s seminal text on Buddhist tantra. It is followed by Volume II: Deity Yoga and Volume III: Yoga Tantra. This revised work describes the differences between the Great Vehicle and Lesser Vehicle streams in the sutra tradition, and between the sutra tradition and that of tantra generally. It includes highly practical and compassionate explanations from H.H. the Dalai Lama on tantra for spiritual development; the first part of the classic Great Exposition of Secret Mantra text; and a supplement by Jeffrey Hopkins on the difference between the Vehicles, emptiness, psychological transformation, and the purpose of the four tantras. (Source: Shambhala Publications)
Hopkins, Jeffrey, trans. and ed. The Great Exposition of Secret Mantra. Vol. 1, Tantra in Tibet. By Tsongkhapa (tsong kha pa). With a commentary by the Dalai Lama. 1st revised edition. Boulder, CO: Snow Lion Publications, 2016.
Book
The Reflexive Nature of Awareness (2000)
According to the Tibetan Tsong Kha pa one of the eight difficult points in understanding Madhyamaka philosophy is the way in which Prāsaṅgika Madhyamaka does not accept even conventionally that reflexivity is an essential part of awareness — that in being aware there is also an awareness of being aware (rang rig). One of the most sysyematic and detailed refutations of Tsong kha pa's approach to this issue can be found in the commentary to the ninth chapter of the Bodhicaryaāvatāra by the rNyingma lama Mi pham (1846–1912), together with Mi pham's own replies to his subsequent critics. In the course of this Mi pham reveals a vision of what is going on in the Madhyamaka which is rather different from the more familiar Tibetan approach of Tsong kha pa.
      Paul Williams places this controversy in its Indian and Tibetan context. He traces in detail Mi pham's position in his commentary on the Bodhicaryaāvatāra, the attack of one of his opponents, and his response, as well as indicating ways in which this controversy over the nature of awareness may be important within the context of Mi pham's rNyingma heritage of rDzogs chen thought and practice.
      This book is the first book length study of its subject, and also includes a reprint of a previous paper by Williams on the reflexive nature of awareness, as well as the relevant Tibetan texts from Mi pham. The book will be of interest to all students of Indian and Tibetan Madhyamaka, as well as associated areas of Buddhist thought such as Yogācāra and the philosophy of Dharmakīrti. It will also be of value to those concerned with the intelectual foundations of rDzogs chen. (Source: Back cover of Routledge 2013 edition)
Williams, Paul. The Reflexive Nature of Awareness: A Tibetan Madhyamaka Defence. Delhi: Motilal Banarsidass, 2000. First published 1998 by Curzon Press (Richmond, UK).
PhD Diss
Wangchuk, Tsering: The Uttaratantra in the Age of Argumentation: Dolpopa Sherab Gyaltsen and His Fourteenth-Century Interlocutors on Buddha-Lineage
This dissertation examines the intellectual history of the Uttaratantra in Tibet from the 12th century to the early 15th century. It is between these centuries that the text, which is one of the most authoritative works on the notion of tathāgata-essence, takes its shape in Tibet through the writings of some of the most formidable Tibetan thinkers of the time.
Wangchuk, Tsering. "The Uttaratantra in the Age of Argumentation: Dolpopa Sherab Gyaltsen and His Fourteenth-Century Interlocutors on Buddha-Lineage." PhD diss., University of Virginia, 2009.
Book
The Uttaratantra in the Land of Snows
With its emphasis on the concept of buddha-nature, or the ultimate nature of mind, the Uttaratantra is a classical Buddhist treatise that lays out an early map of the Mahāyāna path to enlightenment. Tsering Wangchuk unravels the history of this important Indic text in Tibet by examining numerous Tibetan commentaries and other exegetical texts on the treatise that emerged between the eleventh and fifteenth centuries. These commentaries explored such questions as: Is the buddha-nature teaching found in the Uttaratantra literally true, or does it have to be interpreted differently to understand its ultimate meaning? Does it explicate ultimate truth that is inherently enlightened or ultimate truth that is empty only of independent existence? Does the treatise teach ultimate nature of mind according to the Cittamātra or the Madhyamaka School of Mahāyāna? By focusing on the diverse interpretations that different textual communities employed to make sense of the Uttaratantra, Wangchuk provides a necessary historical context for the development of the text in Tibet. (Source: SUNY Press)
Wangchuk, Tsering. The Uttaratantra in the Land of Snows: Tibetan Thinkers Debate the Centrality of the Buddha-Nature Treatise. Albany: State University of New York Press, 2017.
Video
Thupten Jinpa: Tsongkhapa on Emptiness and the Experience of Emptiness
Jinpa, Thupten. "Tsongkhapa on Emptiness and the Experience of Emptiness." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, January 29, 2022. Video, 11:58. https://www.youtube.com/watch?v=PL-9r6TO1uo.
Jinpa, Thupten. "Tsongkhapa on Emptiness and the Experience of Emptiness." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, January 29, 2022. Video, 11:58. https://www.youtube.com/watch?v=PL-9r6TO1uo.

Philosophical positions of this person

Is buddha-nature considered definitive or provisional?
 
Do all beings have buddha-nature?
 
To which "turning of the wheel" do the buddha-nature teachings belong?
  Second Turning

Wangchuk quotes mkhas grub rje as stating, "In our system, Jé Rinpoché (rje rin po che, that is, Tsongkhapa) mentions that the Uttaratantra primarily comments on the meaning of those sutras that are in conformity with the middle-wheel teachings, such as the Tathāgatagarbhasūtra, Samādhirājasūtra, Jnānālokasūtra, Aṅgulimālāsūtra, Śrīmālādevīsūtra, and so forth." Wangchuk, Tsering, The Uttaratantra in the Land of Snows, p. 89.

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Is buddha-nature equated with emptiness or alayavijnana?
  Madhyamaka

Note that Wangchuk maintains that he developed this certainty later in his career.

  • He quotes his Golden Rosary of Excellent Exposition as stating that the Mind-Only presentation of buddha-nature as, "the viewpoint explicated in the Uttaratantra." Wangchuk, Tsering, The Uttaratantra in the Land of Snows, p. 90.
  • Though he later quotes his presumably final stance as: "In his Illuminating the Thoughts of the Madhyamaka, Tsongkhapa clearly states, "The great master Asaṅga also did not explain the Uttaratantra according to the Cittamātra School, rather he explicated it according to the Madhyamaka School." Wangchuk, Tsering, The Uttaratantra in the Land of Snows, p. 93.
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Do buddha-nature teachings belong to the zhentong or rangtong view of emptiness?
Rangtong 
Are there one or three vehicles on the path to buddhahood?
 
Do the author's writings belong to the analytic or meditative tradition of Uttaratantra exegesis?
 
What is Buddha-nature?
Tathāgatagarbha as the Emptiness That is a Non-implicative Negation (without enlightened qualities) 
Does the author advocate the Svatantrika or Prasangika view of emptiness?
  Prāsaṅgika (ཐལ་འགྱུར་)

Wangchuk cites Tsongkhapa's students and commentators on this issue:

  • He quotes mkhas grub rje as stating, "In our system, Jé Rinpoché (rje rin po che that is, Tsongkhapa) mentions that... The content of the Uttaratantra is in conformity with Prāsaṅgika-Madhyamaka." Wangchuk, Tsering, The Uttaratantra in the Land of Snows, p. 89.
  • And later on,, "Similarly, Chöwang Drakpé Pel states, "The All-knowing Jétsün (rje btsun, that is, Tsongkhapa) repeatedly made the roar of a lion amongst an assembly of scholars proclaiming that the ultimate view of the Abhisamayālamkāra and the Uttaratantra falls within the system of Prāsaṅgika-Madhyamaka." Wangchuk, Tsering, The Uttaratantra in the Land of Snows, p. 89.
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Other names

  • ཙོང་ཁ་པ་བློ་བཟང་གྲགས་པ་ · other names (Tibetan)
  • བློ་བཟང་གྲགས་པའི་དཔལ་ · other names (Tibetan)
  • བློ་བཟང་གྲགས་པ་ · other names (Tibetan)
  • tsong kha pa blo bzang grags pa · other names (Wylie)
  • blo bzang grags pa'i dpal · other names (Wylie)
  • blo bzang grags pa · other names (Wylie)

Affiliations & relations

  • Geluk · religious affiliation
  • Ganden Monastery · primary professional affiliation
  • bsod nams rgyal mtshan · teacher
  • Red mda' ba gzhon nu blo gros · teacher
  • Nya dbon kun dga' dpal · teacher
  • Phyogs las rnam rgyal · teacher
  • sgra tshad pa rin chen rnam rgyal · teacher
  • Karmapa, 4th · teacher
  • 'dul 'dzin grags pa rgyal mtshan · student
  • 'gos lo tsA ba gzhon nu dpal · student
  • 'jam dbyangs chos rje bkra shis dpal ldan · student
  • mkhas grub rje · student
  • Rgyal tshab rje dar ma rin chen · student
  • spyan nga bsod nams bzang po · student
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